Sad Tale of The Energizer Bunny

Tex Talks Because our web site, buybattery.com, scores so well in Google search, many consumers assume, incorrectly, that we are actually Duracell, and they contact us about customer service issues- even if they did not buy batteries from us. Mostly, they email to relate problems they have had with batteries, regardless of who the manufacturer or vendor is.

Unfortunately, I now have my own battery problem to relate. I periodically blog about wireless microphones, since we are the host of wirelessmic.net and because we were in the audio visual equipment rental business for many years. We still occasionally rent wireless mics.

I was preparing a rental package for a local sound company and discovered that two of our wireless transmitters contained corroded batteries. These were Everready Energizer Industrials, not the Procell batteries we sell. The offending batteries were well within their “use by” date code but they had leaked acid all over the battery contacts. Fortunately, the damage was limited to the battery contacts, but there was damage nonetheless.

If you are a regular user of wireless mics, the Energizer Industrials certainly don’t get the GoodBuyGuys.com seal of approval.

If you are interested in some more tips about batteries for wireless mics, click here.

GoodBuyGuys.com is your online source for Shurtape gaffers tape, Duracell Procell batteries, MagLite flashlights, Nashua duct tape, Bay State wire ties, Electratrac and Coast Wire extension cords and OnStage Stand mic stands. Look to us first to meet your microphone accessory and battery needs.

Is The Customer Always Right?

buyspeakercable_spokesperson.jpg I try to spend a few minutes each day reading up on ideas related to sound business practices. There is an unending source of good (and sometimes not so good) ideas for business management available.

One of the ideas that comes up over and over is the timeless concept that “the customer is always right”. After many years of selling specialty products online and through catalog sales, I can tell you that nothing could be further from the truth.

I field at least a couple of phone calls every day from a prospective customer who needs to be talked out of making a purchase from us. This is sometimes harder to do than one might think, but I would always prefer to lose a sale than to sell you the wrong item.

Over and over, a customer will try to talk me out of recommending that they not use a tape product for an outdoor application because it does not have UV protection and is not intended to stand up to exposure to sunlight.

Time after time, I have to convince a customer that using an extension cord of too small a gauge will create a fire hazard.

I wish I had a nickel for all the times I have tried (unsuccessfully) to convince a caller that the performance of a ProCell battery is identical to that of a Duracell CopperTop.

It has always been our hope that by creating web sites that were deep with information that we could lead customers to make the right choice-a purchasing choice that would provide a product that met their needs. The same theory is at work when we provide information that should help a prospective customer realize that they product they are considering is not the right item to meet their needs.

Sometimes we lose a sale by insisting that the customer is not always right, but, in the end, this is a lot more satisfying than trying to always make the sale.

Are you someone who believes that conventional business wisdom is not always the way to go? Share your thoughts with us!

GoodBuyGuys.com is your online source for Shurtape gaffers tapeDuracell Procell batteriesMagLite flashlightsNashua duct tapeBay State wire tiesEnterainment 1 extension cordsOnStage Stand mic stands and quality speaker cables.

Weak Link in the Chain

mike2 Sometime back, I speculated that perhaps we were approaching the point where the sound man would no longer be necessary. I was only half kidding-pointing out that quickly developing digital technology would let the sound system compare what it was “hearing” with digitized reference material that it could attempt to duplicate.

We’ll, at least in the realm of portable live sound, there is still at least one area where the sound person’s ability to problem solve still makes him/her valuable.

I’m talking about the use of microphone signal multicables (snakes as they are known) that delivery signal back and forth between the stage and the mix position.

There are so many different standards in use for the digital “snake” that making these links in the signal chain work with the equipment they meet up with on both ends guarantees the sound man will have a job for years to come.

There is a great push to digitize this signal path, because one of the greatest costs affiliated with touring productions is that of moving case after case filled with heavy copper and steel wire.  If the signal moving along these cables can be digitized and then carried along fewer and smaller conductors or along fiber optic cables, the weight and cost savings is significant.

At this point, there is no standardization among manufacturers who make this equipment, and it doesn’t look like either the connectors or the transmission protocol are anywhere close to being agreed-on.

Many years ago, the makers of pro audio equipment agreed on the XLR standard for equipment, and it has made it easy to use equipment manufactured by lots of companies together in the same sound system.

More recently, the Neutrik Speakon connector system has been adopted by lots of speaker and amplifier makers, and this connector appears to be well on its way to becoming an industry standard.

Until this lack of standards issue is settled among most of the major pro audio players there will be no rush to adopt the digital mic snake.

GoodBuyGuys.com is your online source for Shurtape gaffers tapeDuracell Procell batteriesMagLite flashlightsNashua duct tapeBay State wire tiesElectratrac and Coast Wire extension cordsOnStage Stand mic stands and “value added” customer service.

Gaffers Tape Differences

spokesguyI spend a lot of my time on the phone with new customers. Having a great crew to take care of shipping orders, purchasing from vendors, managing web sites and taking care of administrative duties means that I get to talk with people who use our products. It is the best part of my job. Today we have posted a number of spec sheets about gaffers tape. Prospective customers want to know about the differences in the gaffers tapes we sell and these spec sheets hopefully will provide some of the information they are seeking. Until you have used a number of different products, it is hard to understand how something as seemingly insignificant as one mil (1/1000 of an inch) in tape thickness can make a difference. You’d be amazed at how much easier it is to handle a 12 mil tape than a 10 mil tape. Often prospective customers want to know why the gaffers tape we sell is more expensive than some others that they have heard of. The specs tell the tale.

When comparing tapes, here are the three most important specs to check out:

1.Thickness-Gaffers tape is offered in thickness as thin as 10 mils. Choose a tape of at least 11.5 mils (12 mils is better). It won’t c-u-r-l back and stick to itself, is stronger and tears more cleanly.

2.Adhesion-“Adhesion to steel” is the quantifiable spec for determining how sticky a tape is. Look for an adhesion number of at least 60 oz. per inch to insure that the tape will hold properly.

3.Adhesive composition-The best gaffers tape uses a synthetic rubber adhesive. Less expensive products use an acrylic adhesive which is not as strong and which will not stand up to tough environments. Our comparison page includes both products we sell and others that are offered by our competitors. Hope you find it useful.

Duracell Procell Battery Life

spokesguyOne of the most desirable characteristics of alkaline batteries is their long shelf life. They last a lot longer than zinc-carbon batteries and lose their storage capacity in a very linear pattern.  Duracell rates the battery life of its Procell line to have a 7 year shelf life. Here’s how they come up with that figure.

After one year of storage at room temperature alkaline cells will still provide 93-96% of their initial capacity.

Over five years of storage at an average storage temperature of 70 degrees these batteries will still deliver about 85% of their rated capacity. Here’s what the discharge curves look like.

If stored at higher temperatures than 70 degrees or in high humidity, this capacity will be reduced somewhat.

The ideal storage conditions for Duracell Procell batteries is 50 degrees F-70 degrees F degrees with no more than 65% relative humidity.

Here are the details directly from Duracell.

You can always be sure that any Procell battery you get from GoodBuyGuys.com is factory fresh and was made no more than six weeks before it is delivered to you. Your satisfaction is guaranteed and the expiration date is stamped right on the box.

GoodBuyGuys.com is your online source for Permacel gaffers tape, Duracell Procell batteries, MagLite flashlights, Nashua duct tape, Bay State wire ties, Electratrac and Coast Wire extension cords, OnStage Stand mic stands, and lots of other useful production supplies.

Your Local High School Needs You

mike2

We enjoy working with our local schools and are particularly proud to be involved with the arts curriculum at Northwood High School, the school my daughter attends.  They are finishing up a series of special events this week and we applaud them for their hard work.

Periodically, I have pointed out the phenomenon I call the “graying” of the concert production industry.  Lots of hands-on techs who got their start in sound and lighting began their careers in the 1970’s and ’80’s and are now looking at retirement or career changes.  Unfortunately, there are not a lot of kids ready to take their places.

If you read the trade journals that cover the concert production industry,  you know that a very high percentage of the articles feature technicians in their 50’s or even 60’s.

My work at Northwood High confirms this trend.  Northwood has a newly renovated auditorium with state of the art sound and lighting systems.  Twenty years ago, there would have been students crawling all over each other to get a chance to learn to operate this equipment.

Not today. Northwood has hundreds of kids involved in band, dance and drama but almost no students who want to work backstage or in the production booth.  They simply don’t see it as a college or career track.

We have recently developed a series of “how to” animations related to teaching technical theatre skills, along with a set of printed guides.

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It is our hope little things like this, along with our involvement in training students and teaching tech skills, will open the eyes of some of these high school students to the possibilities of an exciting career path that will soon have lots of employment opportunities.

If you have technical skills and are making a career change, give some thought to sharing all you’ve learned with your local high school arts program.

GoodBuyGuys.com is your online source for Permacel gaffers tape,Duracell Procell batteriesMagLite flashlightsNashua duct tapeBay State wire tiesHosa and Entertainment One extension cords andOnStage Stand mic stands. We’re passionate about arts education in the public schools.

Answer the phone, would ya!

fred looks rightIt’s hard to imagine a more important customer service function than answering the phone. I have been trying to contact a couple of our suppliers(companies that we send thousands of dollars to on a regular basis) and I can’t get anyone to answer the phone. Voice mail followed by unreturned calls. Over and over again.

I’m not talking about customer service or sales calls. I am talking about calls from an existing customer to a supplier who spends millions trying to get us to buy and distribute their products.

I can understand the need to use voice mail and message taking when absolutely necessary, but it is difficult to imagine anything of more value to someone who sells a product or service than talking to your customer. After all, my calls are all about my desire to give your company money. What could be more important than that?

The advent of e-commerce and online sales has been incredibly liberating for us atGoodBuyGuys.com. We’ve always tried to make sure that a customer got a live human being when they called to order gaffers tape or batteries, or when they called for product info. Our phone rings less and less often, even though our sales are increasing, so we have lots more time and resources to field every phone call without adding phone lines or employees. It is the most important customer service function anyone around here performs. It’s easy and it is a service that is rarely abused by customers or prospects. They don’t call unless an interaction with a human voice is really needed.

Its obvious to us, that most people find it more efficient to deal with us (and most vendors) onlinewhen possible. Usually, you can get your questions answered and your order placed a lot quicker via the internet than by phone. That makes our job easier and frees up lots of resources to make available when the phone does ring.

We have resisted adding hold music or, even worse, some sort of recorded message to bore you while you are put on hold. If a caller is left on hold for more than 45 sec. the phone starts making a really loud and annoying beeping sound.

Occasionally, you may get voice mail if all our incoming lines are busy, but we strive to return ALL calls within the hour. It’s something that really matters.

When we make decisions on adding new suppliers and expanding our relationship with exisiting ones, how they handle the telephone is a very big part of our decision making process.

Why more companies don’t take advantage of the decrease in demand that e-commerce puts on their human resources is a mystery to me. Having a human answer the phone is a great way to build business relationships in a way that online interactions will never replace. You miss an awful lot when you are unwilling to answer the phone.

Got an insight into good customer service? Share it with us!

GoodBuyGuys.com is your online source for Permacel gaffers tapeDuracell Procell batteriesMagLite flashlightsNashua duct tapeBay State wire tiesElectratrac and Coast Wire extension cordsOnStage Stand mic stands, and lots of other useful production supplies.

Wondering how to choose a good mic stand?

mike2Wondering how to choose a good mic stand? Here are some suggestions. What type of microphone will you be using? It you plan to use the same mic, or mics of the same size, then you will only need to take into consideration one weight. If you plan to use multiple mics of different sizes, you need to be sure that the clutch (the control that allows you to adjust the stand height) and the counterweight (the weight on the opposite end of the boom arm from the mic clip) will handle your heaviest mic. Using a microphone stand with a clutch that won’t support the mic weight will allow the mic to lower itself at the most inopportune time. The lack of a counterweight that will support a heavy microphone will eventually lead to stripping of the adjustment mechanisms. You also need to be sure that the stand base is heavy enough to support the mic. Remember that when using a boom stand, extending the boom arm further from the upright will require either a heavier base for the stand or a larger tripod base. Make sure that your stand will adjust to the highest possible height that the mic might ever need to reach. Some desk stands have height adjustments, while others are fixed height. Do you need to carry the stand around or pack it into a road case or truck. If the mic stand is going to be moved, a folding base is usually better. If the stand will remain in the same location, you may prefer a round base stand. Tripod base stands fit better into tight spaces. If you are going to be moving the stands from place to place, consider a bag that holds multiple stands. Is the stand going to be used by a vocalist who may move towards and away from the stand? If so, then a round base stand may suit your needs better, as it is less likely to get in the way of the performer, particular if it is someone who is wearing high heeled shoes. If you are using wireless handheld mics for singers, then consider using a spring-loaded clip to allow for quick removal and replacement of the mic from the stand. A standard clip might last longer since it has no moving parts, but this sort of clip is designed for a specif sized microphone. Finally, ask yourself if you really need a stand at all. If the mic is going to be used on a drum kit, an onstage amplifier, a musical instrument or a podium you might want to consider a mic clip rather than a stand. Its cheaper, weighs less, packs up quicker and doesn’t take any stage space. OnStage Stands are sturdy, strong, have high quality hardware, long life finishes and easy-to-use one handed adjustments. They are the best value for your mic stand dollar. GoodBuyGuys.com is your online source for Permacel gaffers tape, Duracell Procell batteries, MagLite flashlights, Nashua duct tape, Bay State wire ties, Electratrac and Coast Wire extension cords, OnStage Stand mic stands, and lots of other useful production supplies.

Monster Cable Says “Thank You” But “No, You’re Not Invited”

mike2We sell speaker cables.  Lots of cables.  They are intended for the pro audio market and and work great in high end concert  and audio visual production.  They’re fairly priced   and come with a solid guarantee.

I’m always amazed at how much black magic is applied to the science of selling cables.  No one excels at this as well as Monster Cable, a manufacturer of high end cables marketed both to the pro and the home market.

Believe it or not, Monster sells a HDMI hi definition video cable for as much as $1000.00.  That’s not the price for the television.  Just the cable!

An archived article in the New York Times shed a little light on why Monster wires are so incredibly expensive.  Chalk it up (mark it up?)to a very special sort of high end marketing.

At last year’s Consumer Electronics Show in Las Vegas, Monster sponsored an invitation-only concert featuring John Legend and Stevie Wonder.  A Monster party featured Dr. Dre and Diddy, along with Monster CEO  Noel Lee riding a Segway scooter trimmed in flames.

A Monster press conference featured Lady Gaga, who was in Las Vegas to introduce a new line of Monster headphones.

Talent like this doesn’t come cheap.

Study after study has shown that most of  Monster’s claims regarding the superiority of their cables is mostly hype.  One of our favorite  tests even compared their speaker cables to coat hanger wire and claimed to hear no difference in audio quality between the two.

Did I mention, the Las Vegas events were not for Monster customers, they were for Monster Cable dealers, the sellers who share in the astronomical markups sales of these cables genterate.  Those heaping plates of shrimp and the flowing champagne at the event hosted by Diddy and Dr. Dre were paid for by you,  if you’re a purchaser of Monster Cables.

GoodBuyGuys.com is your online source for Permacel gaffers tape,Duracell Procell batteries,  Nashua duct tapeBay State wire tiesHosa and Entertainment One extension cords and OnStage Stand mic stands.

Its Gotta Be Black

Tex TalksA good portion of our live event production work involved providing amplification of live television events for audiences. It was exciting work and live television was a real challenge. I loved it.

We still occasionally do this sort of work and I had a recent ephiphany about something that had always bothered me these events.

No matter how “high end” the video production company we were working with, they would constantly string orange and yellow extension cords all over the event site. Everything else in their equipment package was always top quality, but all their power cables looked like they were pulled off the shelves at Home Depot. It was the sort of thing that you would never see in a theatrical or concert setting.

It finally dawned on me that these vidiots could only see what the camera saw. Any cable that was invisible to the lens (read-the director) was invisible to them. They really had no interest in what the live audience saw. Their audience was the television audience and if the cable couldn’t bee seen through the lens, these guys assumed that it was invisible.

One of reasons for starting buyextensioncords.com was because it was so difficult to find high quality, well made extension cords. We offer heavy gauge (12 GA) cables, medium gauge (14GA) cables and Electratrac MultiOutlet cables, all in black.

If you want to be sure that your power cables are all but invisible to the audience, then “its gotta be black“.

Got an observation to share with our readers? Pass it along.

GoodBuyGuys.com is your online source for Permacel gaffers tape, Duracell Procell batteries, MagLite flashlights, Nashua duct tape, Bay State wire ties, Electratrac and Coast Wire extension cords, OnStage Stand mic stands, and lots of other useful production supplies.

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