Archive for the ‘mic cables’ Category

The Final Word-For Now

Thursday, January 21st, 2010

mike2The FCC has issued yet another “final ruling” regarding reallocation of the 700 mHZ broadcast spectrum, that part of the spectrum used, until recently, for wireless microphones.

As reported in the New York Times (Jan. 16, 2010), the FCC is standing behind the 2008 auction of this spectrum for new users, hoping to promote the development of “a whole new generation of wireless services”.

This version of the ruling essentially changes nothing regarding the intention of the FCC to no longer allow wireless mic use in this part of the UHF spectrum. It makes the date of June 12, 2010 the final deadline for theatres, concert tours, churches and entertainment venues to give up use of any wireless equipment operating in this band.

Fortunately, by putting off the final implementation of this new ruling (yet again) the Federal Communications Commission has given the users of unlicensed wireless mics (almost all users) the better part of two years to make the transition.

Major manufacturers, including Shure, have extended their rebate offers one more time, so there are still incentives available for those how have put off making the frequency change.

The title of the FCC’s official pronouncement on this issue is titled,

OPERATION OF WIRELESS MICROPHONES IN THE 700 MHZ BAND
IS PROHIBITED AFTER JUNE 12, 2010

There is not really much need for interpretation to that sort of language.

If you are interested in the specifics of this ruling directly from the FCC, you can read it here.

If you’re not sure if your wireless mics are covered by this ruling, you can consult the FCC’s official list of offending manufacturers models here.

There is more information regarding this transition at our web site wirelessmic.net.

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A Round Peg In A Square Hole

Tuesday, January 19th, 2010

mike2Recent responses to an older blog posting about using XLR connectors on speaker cables caught me by surprise. It  got me  thinking about how ongoing evolution in this connector system has allowed it to stay relevant through generation after generation of audio development.

The XLR connector was first developed by James Cannon at ITT and was introduced to the audio market in 1958.  Amazingly, through all the changes in connector standards and component wiring, the XLR is still the audio standard for microphone and patch cables.

One reason for its long life is that the basics of the design, much like good computer software design, have moved into the public domain.  Anyone who has a better idea can bring their own version of the XLR connector to market.

A simple innovation developed by the Switchcraft company is an example of this design concept.

Cannon’s design for the XLR was for a round connector-a good idea since it fit well to a round cable and allowed the cable to be dragged along the floor without catching and tangling.  Cannon’s concept called for both round body connectors on the cable and a round body “chassis mount” connector-the mating female connector found on the equipment or multicable box that the cable connector mated with.

A simple innovation by Switchcraft-changing the body shape of the panel mount connector from round to rectangular-meant that more connectors could be mounted side-by-side in a confined space since they could now fit edge to edge.  You can see the value of that design change today by comparing a contemporary audio mixer to one built in the 1960’s or ’70’s.

XLR_SQUARE

XLR_ROUND

Many minds contributing to the evolution of the XLR connector means that it will remain the audio industry standard for many years to come.

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Is Your Church Breaking The Law?

Monday, December 14th, 2009

mike2It seems that churches are being turned into lawbreakers by the FCC

It is certainly not news that churches, technically at least, are legally required to have licenses for their wireless mics.

At this time of year when so many churches produce special events that use wireless mics, this issue has been brought back into sharp focus.

A group called the White Spaces Coalition has come together to advocate for the use of unused broadcast spectrum intended for televison to actually be used for wireless internet.  This is group of lightweights.  Members include Microsoft, Google, Dell, Earthlink and Samsung among others.

While the FCC has turned a deaf ear to unlicensed wireless microphone users in the past, it is unlikely that those who make up the White Space Coalition will allow the FCC to continue to ignore the use of spectrum that is now seen as being so valuable.

I have written before about how these companies are pushing the FCC to build databases of unused broadcast spectrum nationwide.

The chances that a high school theatre or “Sunday only” wireless mic user will be able to stay under the radar if the spectrum they use is commandeered for wireless internet use, since these sorts of services are in as high demand in rural areas and secondary markets as they are in major metro areas.

If you don’t think Microsoft will turn the FCC loose on you, you don’t know Microsoft.

You can read more about the White Space Coaltion here.

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Internet Marriage To Intercom-Thousands of Offspring

Wednesday, December 9th, 2009

mike2 My email in box stays stuffed with promotional material related to concert and special event production-mostly hardware.  I’m lucky if I have a chance to look at one in ten messages.

I’m really glad I clicked on the one from Clear-Com.  Clear-Com is a leader in intercom systems used in theatres, tv studios and touring production.  Producing a show would be impossible without it.

On a complicated event, concert or television shoot each production company will usually have their own closed system that deals with one aspect of the production.

Unfortunately, one of the problems with a closed intercom system is that there is always somebody on a different system that you really need to talk to.

Clear-Com has released an intercom system (Clear-Com Concert) that uses internet protocol (IP) rather than standard xlr microphone cable for connecting users.  This means that anybody with internet access and the proper clearances can join the conversation related to putting on the show.

The video director can include a follow spot operator in the conversation by adding him or anybody else to the work group.  As long as internet access is available (wired or wireless) there is no limit to the number of participants.

There are multiple ways to administer the user group so that those who need to be included for only a little while can be managed, hopefully preventing what might be really chaotic.  The software package developed for this system allows for a simple “drag-and-drop” method to build your temporary user group and users can also communicate by real time texting in addition to spoken word.

Perhaps most interesting, now participants who are not on-site for the event can be given access to the intercom loop.  Imagine being able to bring in the original set designer or a qualified repair tech in real time to address an issue as the show unfolds.

GoodBuyGuys.com is your online source for Permacel gaffers tape,Duracell Procell batteries, MagLite flashlights, Nashua duct tape, Bay State wire ties, Hosa and Entertainment One extension cords andOnStage Stand mic stands If you know about a new innovation in concert production hardware, please share it with us.

New White Space Worries For Wireless Mics

Friday, December 4th, 2009

mike2 Just when we thought the discussion regarding reallocation of wireless mic frequencies (known as the “white space debate”) was beginning to die down, a new problem is looming on the horizon.

Users of high end (UHF) wireless mics are now mostly aware that mics designed to be used in the 700mHz range of the broadcast spectrum were supposed to be retired in June of this year because the FCC has auctioned off that part of the spectrum for other uses.

Mic users in high end professional audio and those users in metropolitan areas have mostly migrated to new frequencies, many times taking advantage of great manufacturer rebates in the process.  Many users in secondary markets and rural areas have decided to stick with the mics they have while they wait to see what new users will show up in the 700 mHz range.

New initiatives by the FCC to allow currently unused spectrum between major broadcasters in the impacted 700 mHz range are intended to make these “buffer” frequencies available to bring wireless broadband internet services to rural areas.

Furthmore, the FCC is teaming up with the private sector to build databases of unused spectrum that could be made available for broadband. This could force those whose 700 mHz wireless mics to give up their strategy and upgrade.

Big companies like Microsoft and Google are pushing the FCC to allow them to use this space without licensing it.  Since their signals would be much more powerful, they would quickly override the unlicensed wireless microphones that now use the same spectrum.

How have you decided to handle wireless mic upgrades.  Let us know.

You can read more in this article in the current InformationWeek magazine.

GoodBuyGuys.com is your online source for Permacel gaffers tape,Duracell Procell batteries, MagLite flashlights, Nashua duct tape, Bay State wire ties, Hosa and Entertainment One extension cords andOnStage Stand mic stands  Click here to sign up for our newsletter.  Here’s a link to our new “How To” animation series.

So Much For That “Warm” Analog Sound

Tuesday, July 14th, 2009

spokesguy USB microphones have begun to make inroads in semi-pro audio, primarily among podcasters, since it allows you to record directly to your computer without a mixer or preamp.  Sound quality is much better than the mic built into most computers.

Higher end pro audio users have been slow to adopt this technology because they don’t want to give up the familiarity they have with the sound quality of their favorite mics.

Blue Microphones has gone a long way towards bridging this gap with their  Icicle, a XLR/USB preamp/converter that will allow you to plug a regular dynamic or condenser mic directly into a USB port on your computer.  No other outboard gear is needed.

 icicle

In addition to having standard female XLR3 and male USB connectors, the Icicle has a handy volume knob so you can control volume in the conventional way, not with an onscreen slider.  It can also provide 48v phantom power so it works with most condensers.

This is an “instant on” device (no drivers to install) and is designed for a fully balanced input.

Best of all, the Icicle logo glows blue when it is plugged in.

GoodBuyGuys.com is your online source for Permacel gaffers tape, Duracell Procell batteries, MagLite flashlights, Nashua duct tape, Bay State wire ties, Hosa and Entertainment One extension cords and OnStage Stand mic stands  Click here to sign up for our newsletter.  Lots more good ideas at our Twitter feed.

 

Take The Big Mick Challenge

Wednesday, June 24th, 2009

mike2Big Mick Hughes is one of the best known live sound engineers in the concert industry.  He is the long time front-of-house mixer for Metallica, a larger than life personality, and until now, someone whose reputation as a legend was well earned.

The recent trend in print advertising to have technicians endorse audio products is, in general, a good one.  They normally have a useful perspective and their endorsements have value.  Big Mick has put the value of those endorsements at risk.

Here’s what Big Mick says about his microphone of choice, Audio Technica in May’s Pro Sound News.  “I love Audio-Technica mics.  You can definitely tell an Audio Technica gig as soon as you walk into it.”

Now, I’m no “golden ear” but I do know that between a microphone and my (and Big Mick’s) ears there is (at minimum) a mixer, an amplifier, speakers, and cables, all of which color the sound you hear, regardless of their quality.

The idea that you can identify a brand of microphone just by listening to a live sound system is laughable.

Put on your blindfold, Mick, and step into any music club in America.  Even your ears aren’t that good.

I hope Audio-Technica is paying you well.

GoodBuyGuys.com is your online source for Permacel gaffers tape, Duracell Procell batteries, MagLite flashlights, Nashua duct tape, Bay State wire ties, Hosa and Entertainment One extension cords and OnStage Stand mic stands  Click here to sign up for our newsletter.  Lots more good ideas at our Twitter feed.

Weak Link In The Chain

Tuesday, February 17th, 2009

mike2 Sometime back, I speculated that perhaps we were approaching the point where the sound man would no longer be necessary. I was only half kidding-pointing out that quickly developing digital technology would let the sound system compare what it was “hearing” with digitized reference material that it could attempt to duplicate.

We’ll, at least in the realm of portable live sound, there is still at least one area where the sound person’s ability to problem solve still makes him/her valuable.

I’m talking about the use of microphone signal multicables (snakes as they are known) that delivery signal back and forth between the stage and the mix position.

There are so many different standards in use for the digital “snake” that making these links in the signal chain work with the equipment they meet up with on both ends guarantees the sound man will have a job for years to come.

There is a great push to digitize this signal path, because one of the greatest costs affiliated with touring productions is that of moving case after case filled with heavy copper and steel wire.  If the signal moving along these cables can be digitized and then carried along fewer and smaller conductors or along fiber optic cables, the weight and cost savings is significant.

At this point, there is no standardization among manufacturers who make this equipment, and it doesn’t look like either the connectors or the transmission protocol are anywhere close to being agreed-on.

Many years ago, the makers of pro audio equipment agreed on the XLR standard for equipment, and it has made it easy to use equipment manufactured by lots of companies together in the same sound system.

More recently, the Neutrik Speakon connector system has been adopted by lots of speaker and amplifier makers, and this connector appears to be well on its way to becoming an industry standard.

Until this lack of standards issue is settled among most of the major pro audio players there will be no rush to adopt the digital mic snake.

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Podcast Like It’s 1949

Monday, September 8th, 2008

spokesguy We know that Edward R. Murrow never filed a podcast, but if he had, this is what he would have used.

sony_retro_mic.jpg

The Sony Retro Wireless USB  has a great classic mic look, but is designed to be used with a USB interface on your computer.  Not only is it designed to be used with a USB port, its wireless!

You can use this mic anywhere within a 10 foot radius of your computer without any cables to trip over.  It uses RFI technology and is designed to work with all current Windows and Mac operating systems.  Best of all no special drivers are needed for use with Windows computers.  It even has an on/off switch.

alan_sings.jpg

If your podcasting has advanced to the point where your computer’s onboard mic no longer gets the job done, or you just love the idea of “walking the walk while you talk the talk” then this mic is just what you need.

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No Wonder The Soundman’s Asleep Under The Console!

Thursday, July 17th, 2008

mike2 I try to blog at least once a week about some new innovation or clever device in the pro sound industry.  I spent 30 plus years as a “knob twister” and I try to keep up with new ideas.

Leave it to the British to bring us a decidely “low tech” solution to handling sound mixing for those interminable 8 hour corporate meetings or all night rehearsals.

Its the Canford Wine Rack, a 3 space rack mount module, designed to store up to four bottles of wine in an audio rack.

rack_your_wine.jpg

Apparently this is not a joke (even though I first came across it on “boingboing“).  It appears that you can actually order it.

Obviously cooling might present a problem if you prefer a Chardonnay or Reisling, but we are going to get to work right away on a nitrogen chilling system.

Check back here for updates.

GoodBuyGuys.com is your online source for Shurtape gaffers tape, Duracell Procell batteries, MagLite flashlights, Nashua duct tape, Bay State wire ties, Electratrac and Coast Wire extension cords , OnStage Stand mic stands and quality speaker cables.