Archive for the ‘Pro Sound’ Category

FCC Shines A Little Light On New White Space Uses

Thursday, February 25th, 2010

mike2After making its announcement that June 12, 2010 would be the last date to legally use wireless microphones that occupy what is known as the 700mHz band (also known as “white” space), the FCC has given the first official word as to what new uses we might expect in this reallocated spectrum.

The city of Wilmington, NC will use frequencies within this part of the broadcast spectrum to operate wireless surveillance cameras and environmental sensors in what city officials are calling a “smart city” deployment.

Wilmington has been on the leading edge of these developments before, being the first city to publicly experiment with high definition digital television broadcasts before this service was rolled out nationwide.

The FCC has issued what it is calling an “experimental license” which can be used while the final rules for using the newly available spectrum are worked out.

Here’s what Wilmington plans to do.

Their first use will be to transmit data from wireless traffic cameras in hopes of relieving congestion and reducing fuel consumption.

Second, Wilmington will install cameras in some city parks for surveillance.

Finally, the city will monitor and manage wetland areas in conjunction wit the EPA.

What might be most interesting is that commercial providers-primarily cell phone companies-can already provide all of these services through their data networks.

This sounds like it might just be an experimental “place holder” until major new players in the wireless  game like Google and Microsoft are ready to roll out new products since they are now clearing wireless mic users from the spectrum they purchased through auctions.

GoodBuyGuys.com is your online source for Permacel gaffers tape,Duracell Procell batteries,  Nashua duct tapeBay State wire tiesHosa and Entertainment One extension cords and OnStage Stand mic stands.  Join our discussion on wireless mic issues here.

Who’s The Winner Here? Probably Not You

Friday, January 29th, 2010

This week’s announcement that the US Justice Dept. would allow the merger of Live Nation and Ticketmaster is a game changer for the entertainment industry.

If you’ve attended a major concert or other arena event recently, you realize that you can’t turn around without someone sticking their hand in  your pocket, even though you’ve already bought a ticket for the event.

Start with the ticket service fee.  You can’t buy a ticket without paying that, even if you purchase at the box office.

Next comes parking.  $7.00 is the going rate around here, and some tickets automatically add a parking surcharge to every ticket, regardless of how many patrons might share a ride.

Next comes concessions.  Mandatory purse and backpack checks assure that you won’t bring in so much as a bottle of water.  Once you’re inside, prices range from $4.00 up for a simple snack to as much as $11.00 for a beer.  If you’re covering the cost for a family of four, your out of pocket expenses can easily double the ticket price.

Ticketmaster and Live Nation share the credit for devising this system, and the Justice Department decisions means that it is now open season on event patrons.

By allowing these two companies to combine forces there is no longer any reason for one to try to gain a competitive advantage over the other by pricing tickets or add ons more competitively.

If you are concerned about this pending monopoly, you might find this web site interesting.

GoodBuyGuys.com is your online source for Permacel gaffers tape,Duracell Procell batteries,  Nashua duct tapeBay State wire tiesHosa and Entertainment One extension cords and OnStage Stand mic stands.

Since When Is Google An Entrepeneur?

Tuesday, January 26th, 2010

mike2This blog has been following the “white space” debate (issues regarding reallocation of broadcast spectrum used for wireless mics) for some time.  What appears as a “final decision” by the FCC regarding the date for ending use of the 700MHz band for these microphones has led to a whole set of new questions.

One of the justifications for kicking wireless mic users out of the neighborhood has been that opening up this part of the spectrum would lead to opportunities for entrepreneurs to develop new wireless technologies.

It’s fine to claim that you support entrepreneurs, but since the price bid for the 700 MHz spectrum was in excess of $19 billion dollars, we’re not talking about your garden variety start up.

Players like Google and Verizon were the real winners here and it’s unlikely that opportunities for real entrepreneurs are going to filter down from monsters like this.

The 700 MHz band may well see exciting next generation wireless services for both consumers and public agencies, but those developments won’t come from someone who simply has a good idea.  They’ll need a bag of money too!

GoodBuyGuys.com is your online source for Permacel gaffers tape,Duracell Procell batteries,  Nashua duct tapeBay State wire tiesHosa and Entertainment One extension cords and OnStage Stand mic stands. Click here for unbeatable deals on Shure wireless microphones.

The Final Word-For Now

Thursday, January 21st, 2010

mike2The FCC has issued yet another “final ruling” regarding reallocation of the 700 mHZ broadcast spectrum, that part of the spectrum used, until recently, for wireless microphones.

As reported in the New York Times (Jan. 16, 2010), the FCC is standing behind the 2008 auction of this spectrum for new users, hoping to promote the development of “a whole new generation of wireless services”.

This version of the ruling essentially changes nothing regarding the intention of the FCC to no longer allow wireless mic use in this part of the UHF spectrum. It makes the date of June 12, 2010 the final deadline for theatres, concert tours, churches and entertainment venues to give up use of any wireless equipment operating in this band.

Fortunately, by putting off the final implementation of this new ruling (yet again) the Federal Communications Commission has given the users of unlicensed wireless mics (almost all users) the better part of two years to make the transition.

Major manufacturers, including Shure, have extended their rebate offers one more time, so there are still incentives available for those how have put off making the frequency change.

The title of the FCC’s official pronouncement on this issue is titled,

OPERATION OF WIRELESS MICROPHONES IN THE 700 MHZ BAND
IS PROHIBITED AFTER JUNE 12, 2010

There is not really much need for interpretation to that sort of language.

If you are interested in the specifics of this ruling directly from the FCC, you can read it here.

If you’re not sure if your wireless mics are covered by this ruling, you can consult the FCC’s official list of offending manufacturers models here.

There is more information regarding this transition at our web site wirelessmic.net.

GoodBuyGuys.com is your online source for Permacel gaffers tape,Duracell Procell batteries,  Nashua duct tapeBay State wire tiesHosa and Entertainment One extension cords and OnStage Stand mic stands. Click here for unbeatable deals on Shure wireless microphones.

A Round Peg In A Square Hole

Tuesday, January 19th, 2010

mike2Recent responses to an older blog posting about using XLR connectors on speaker cables caught me by surprise. It  got me  thinking about how ongoing evolution in this connector system has allowed it to stay relevant through generation after generation of audio development.

The XLR connector was first developed by James Cannon at ITT and was introduced to the audio market in 1958.  Amazingly, through all the changes in connector standards and component wiring, the XLR is still the audio standard for microphone and patch cables.

One reason for its long life is that the basics of the design, much like good computer software design, have moved into the public domain.  Anyone who has a better idea can bring their own version of the XLR connector to market.

A simple innovation developed by the Switchcraft company is an example of this design concept.

Cannon’s design for the XLR was for a round connector-a good idea since it fit well to a round cable and allowed the cable to be dragged along the floor without catching and tangling.  Cannon’s concept called for both round body connectors on the cable and a round body “chassis mount” connector-the mating female connector found on the equipment or multicable box that the cable connector mated with.

A simple innovation by Switchcraft-changing the body shape of the panel mount connector from round to rectangular-meant that more connectors could be mounted side-by-side in a confined space since they could now fit edge to edge.  You can see the value of that design change today by comparing a contemporary audio mixer to one built in the 1960’s or ’70’s.

XLR_SQUARE

XLR_ROUND

Many minds contributing to the evolution of the XLR connector means that it will remain the audio industry standard for many years to come.

GoodBuyGuys.com is your online source for Permacel gaffers tape,Duracell Procell batteries,  Nashua duct tapeBay State wire tiesHosa and Entertainment One extension cords and OnStage Stand mic stands.  Our Hosa & MI cables use industry standard XLR connectors.

This Thing Is Too Smart To Be Called A Phone

Thursday, January 7th, 2010

JEFF_SIGNATURE_SMALLLast Saturday I attended a women’s basketball game at UNC Chapel Hill, my alma mater.  A major multi-million dollar renovation of Carmichael Auditorium was being unveiled and I was anxious to see the upgrades to the building where I worked my first concert, 40 years ago.

Carmichael has always been an acoustical nightmare, and I was skeptical as to whether ceiling treatment and a new sound system might actually improve the building.

I was really impressed!

The building looks great, and I was able to understand every word the announcer said.  Congratulations, UNC.

One of our former employees, Wes Hardison, is serving as the sound person for women’s basketball this season, and that’s where my phone story begins.

I have written before about the Motorola Droid, my new cell phone, and on Saturday I learned some great new tricks.

I was able to download a couple of applications (free, no less) for the phone while sitting in the stands watching the game and listening to the new sound system.

One was a SPL meter (sound level meter).  The other was a frequency spectrum analyzer.

I was able to roam all around the arena, take acoustical readings directly on the phone, and then text message Wes quantitative information regarding what I was hearing.   He could then make adjustments from his position beside the playing floor, based on what I was hearing in the stands.  All as simple as a phone call!

Have you got an interesing smart phone story?  Share it with our readers.

GoodBuyGuys.com is your online source for Permacel gaffers tape,Duracell Procell batteries,  Nashua duct tapeBay State wire tiesHosa and Entertainment One extension cords and OnStage Stand mic stands

A Big Loss For Pro Sound

Monday, December 28th, 2009

good-idea-jeff_small_biggerI was saddened to learn today of the death of Ross Ritto, one of the pioneers in the modern sound reinforcement industry.  Ross had a direct impact on my entry into pro sound and it was always good to come across his name in trade journals and discussions about pro sound touring.

I have written a number of times about the “graying” of the pro sound industry, but losing Ross at the age of 60 really brings this home for me.

While best known as the founder and CEO of Sound Image, a major west coast touring company, I first encountered Ross back in the 1970’s. His company, Silverfish Audio, a sound company from Buffalo, NY  provided a touring audio system for Jimmy Buffett.

Ross brought a football stadium sized sound system to my alma mater, UNC Chapel Hill, and by the end of the day I had a totally new concept of what major league sound reinforcement was about.

Although I was only one of many stagehands on the call, Ross took as much time as need to answer all my questions, no matter how ridiculous, and that Jimmy Buffet show as one of the most memorable of my career.

This was in the days of multi-component horn loaded sound systems, and with the information I learned from Ross, I built a “mini” system much like the one he brought to Kenan Stadium.  In fact, there are probably a couple of pieces of this package still lurking in the back of our warehouse.

My decision to pursue a pro sound career was met at every step by patient professionals like Ross, and I consider knowing him one of the highlights of my 30 hears in a great industry.

He will be missed.

(link to the original Silverfish Audio brochure with pics of the sound system I am talking about)

GoodBuyGuys.com is your online source for Permacel gaffers tape,Duracell Procell batteriesMagLite flashlightsNashua duct tapeBay State wire tiesHosa and Entertainment One extension cords and OnStage Stand mic stands.  We appreciate those pioneers that built the pro sound business.

Your Local High School Needs You

Wednesday, December 16th, 2009

mike2

We enjoy working with our local schools and are particularly proud this holiday season to be involved with the arts curriculum at Northwood High School, the school my daughter attends.  They are finishing up a series of special events this week and we applaud them for their hard work.

Periodically, I have pointed out the phenomenon I call the “graying” of the concert production industry.  Lots of hands-on techs who got their start in sound and lighting began their careers in the 1970’s and ’80’s and are now looking at retirement or career changes.  Unfortunately, there are not a lot of kids ready to take their places.

If you read the trade journals that cover the concert production industry,  you know that a very high percentage of the articles feature technicians in their 50’s or even 60’s.

My work at Northwood High confirms this trend.  Northwood has a newly renovated auditorium with state of the art sound and lighting systems.  Twenty years ago, there would have been students crawling all over each other to get a chance to learn to operate this equipment.

Not today. Northwood has hundreds of kids involved in band, dance and drama but almost no students who want to work backstage or in the production booth.  They simply don’t see it as a college or career track.

We have recently developed a series of “how to” animations related to teaching technical theatre skills, along with a set of printed guides.

How_To_Coil_A_Cable

It is our hope little things like this, along with our involvement in training students and teaching tech skills, will open the eyes of some of these high school students to the possibilities of an exciting career path that will soon have lots of employment opportunities.

If you have technical skills and are making a career change, give some thought to sharing all you’ve learned with your local high school arts program.

GoodBuyGuys.com is your online source for Permacel gaffers tape,Duracell Procell batteriesMagLite flashlightsNashua duct tapeBay State wire tiesHosa and Entertainment One extension cords andOnStage Stand mic stands. We’re passionate about arts education in the public schools.

Is Your Church Breaking The Law?

Monday, December 14th, 2009

mike2It seems that churches are being turned into lawbreakers by the FCC

It is certainly not news that churches, technically at least, are legally required to have licenses for their wireless mics.

At this time of year when so many churches produce special events that use wireless mics, this issue has been brought back into sharp focus.

A group called the White Spaces Coalition has come together to advocate for the use of unused broadcast spectrum intended for televison to actually be used for wireless internet.  This is group of lightweights.  Members include Microsoft, Google, Dell, Earthlink and Samsung among others.

While the FCC has turned a deaf ear to unlicensed wireless microphone users in the past, it is unlikely that those who make up the White Space Coalition will allow the FCC to continue to ignore the use of spectrum that is now seen as being so valuable.

I have written before about how these companies are pushing the FCC to build databases of unused broadcast spectrum nationwide.

The chances that a high school theatre or “Sunday only” wireless mic user will be able to stay under the radar if the spectrum they use is commandeered for wireless internet use, since these sorts of services are in as high demand in rural areas and secondary markets as they are in major metro areas.

If you don’t think Microsoft will turn the FCC loose on you, you don’t know Microsoft.

You can read more about the White Space Coaltion here.

GoodBuyGuys.com is your online source for Permacel gaffers tape,Duracell Procell batteriesMagLite flashlightsNashua duct tapeBay State wire tiesHosa and Entertainment One extension cords andOnStage Stand mic stands Click here to sign up for our newsletter.  Here’s a link to our new “How To” animation series.

Internet Marriage To Intercom-Thousands of Offspring

Wednesday, December 9th, 2009

mike2 My email in box stays stuffed with promotional material related to concert and special event production-mostly hardware.  I’m lucky if I have a chance to look at one in ten messages.

I’m really glad I clicked on the one from Clear-Com.  Clear-Com is a leader in intercom systems used in theatres, tv studios and touring production.  Producing a show would be impossible without it.

On a complicated event, concert or television shoot each production company will usually have their own closed system that deals with one aspect of the production.

Unfortunately, one of the problems with a closed intercom system is that there is always somebody on a different system that you really need to talk to.

Clear-Com has released an intercom system (Clear-Com Concert) that uses internet protocol (IP) rather than standard xlr microphone cable for connecting users.  This means that anybody with internet access and the proper clearances can join the conversation related to putting on the show.

The video director can include a follow spot operator in the conversation by adding him or anybody else to the work group.  As long as internet access is available (wired or wireless) there is no limit to the number of participants.

There are multiple ways to administer the user group so that those who need to be included for only a little while can be managed, hopefully preventing what might be really chaotic.  The software package developed for this system allows for a simple “drag-and-drop” method to build your temporary user group and users can also communicate by real time texting in addition to spoken word.

Perhaps most interesting, now participants who are not on-site for the event can be given access to the intercom loop.  Imagine being able to bring in the original set designer or a qualified repair tech in real time to address an issue as the show unfolds.

GoodBuyGuys.com is your online source for Permacel gaffers tape,Duracell Procell batteries, MagLite flashlights, Nashua duct tape, Bay State wire ties, Hosa and Entertainment One extension cords andOnStage Stand mic stands If you know about a new innovation in concert production hardware, please share it with us.